CloseEmailFacebookInstagramMenuPhillips Collection AppPinterestTwitterZoom InZoom OutThe Phillips Collection

The story of our migration is ongoing. Feeling inspired? Share your #Panel61

In the final, 60th panel of The Migration Series, Jacob Lawrence leaves us with the words “And the migrants kept coming.” Today, more than 70 years later, Lawrence’s epic narrative continues to have powerful reverberations.

Use your full name or a nickname, it's required and will be displayed along with your work.
Your email will not be publicly displayed anywhere on the site, but we need it for confirmation.
One image can be submitted.
Maximum file size 4 MB.
Minimum file size 725x480 pixels.
Allowed file types: png gif jpg jpeg.
  • Lines and paragraphs break automatically.
  • Allowed HTML tags: <a> <em> <strong> <u>
  • Web page addresses and e-mail addresses turn into links automatically.

I agree to the following terms and conditions:

  • I hereby certify that I am the creator and owner of this artwork, and nothing I submit will infringe on the rights of others.
  • I hereby grant The Phillips Collection permission to use my artwork, in whole or in part, on the Jacob Lawrence: The Migration Series website and format it to fit the website specifications, without any compensation to me.
  • I hereby grant The Phillips Collection permission to use my artwork, in whole or in part, in promotional or trade materials related to the Jacob Lawrence: The Migration Series website, without any compensation to me.

The Phillips Collection reserves the right, in its sole discretion, to terminate and or/modify the website, or any and all related features thereof, and remove or refuse to include any submitted artwork, at any time, without notice.

Vertical Tabs

Your #Panel61 by Jenny E. Balisle

Submitted by

Jenny
E. Balisle

Title: America Red, White and Blue
Size: 39 x 108 inches
Medium: Colorplan paper and a Mossberg 500 shotgun

The America series investigates diverse cultures and relationships between manmade and natural environments. Fascinated by flight or disorientation, I merge together disparate experiences to create new narratives. Colorplan sheets of cover stock sized 25x38 inches were brought to a gun range. Using a Mossberg 500 shotgun as a vehicle of mark making, paper was placed on a target 7 yards away. The artwork records how patterns of power and inequality can be spread through distance and speed. It repurposes a weapon into artistic commentary by altering function to explore identity, ideology, and equality. The paper represents life’s fragility and the pellet pattern explores America’s gun culture and military-industrial complex. The goal is to engage conversation on what it means to be American as a citizen and through a global context. The artwork reclaims social justice and questions what is normal. The orientation of the paper has been turned to face the viewer, confronting and asking by what means and price do we secure freedom for all at home and abroad.

Share This

User-Submitted Work

Show More User-Submitted Work