CloseEmailFacebookInstagramMenuPhillips Collection AppPinterestTwitterZoom InZoom OutThe Phillips Collection

The story of our migration is ongoing. Feeling inspired? Share your #Panel61

In the final, 60th panel of The Migration Series, Jacob Lawrence leaves us with the words “And the migrants kept coming.” Today, more than 70 years later, Lawrence’s epic narrative continues to have powerful reverberations.

Use your full name or a nickname, it's required and will be displayed along with your work.
Your email will not be publicly displayed anywhere on the site, but we need it for confirmation.
One image can be submitted.
Maximum file size 4 MB.
Minimum file size 725x480 pixels.
Allowed file types: png gif jpg jpeg.
  • Lines and paragraphs break automatically.
  • Allowed HTML tags: <a> <em> <strong> <u>
  • Web page addresses and e-mail addresses turn into links automatically.

I agree to the following terms and conditions:

  • I hereby certify that I am the creator and owner of this artwork, and nothing I submit will infringe on the rights of others.
  • I hereby grant The Phillips Collection permission to use my artwork, in whole or in part, on the Jacob Lawrence: The Migration Series website and format it to fit the website specifications, without any compensation to me.
  • I hereby grant The Phillips Collection permission to use my artwork, in whole or in part, in promotional or trade materials related to the Jacob Lawrence: The Migration Series website, without any compensation to me.

The Phillips Collection reserves the right, in its sole discretion, to terminate and or/modify the website, or any and all related features thereof, and remove or refuse to include any submitted artwork, at any time, without notice.

Vertical Tabs

Your #Panel61 by Kaydence Brody

Submitted by

Kaydence
Brody

My painting depicts the silhouette of a person looking at a picture in museum 50 or so years from now. The picture they are looking at shows a person of color protesting near the U.S. Capitol building. They are seen holding a sign that says “America: Home of racism, homophobia, transphobic, and overall bigotry”. I decided to put this into my painting because they are huge issues today. We are still fighting for rights. Also, I decided to have someone looking at the picture in a museum 50 years from now because it’s similar to what we’ve seen in textbooks and museums growing up. Over fifty years ago, we were fighting for civil rights. Now, we are still fighting for them. 50 years from now, will another person have to create a painting like this because bigotry is still a relevant problem? Or will a satisfactory change have occured, allowing them to view what’s in the painting, but never having to experience it themselves?

Share This

User-Submitted Work