This painting is part of an ongoing series that futuristically looks towards humanity’s eventual interstellar migration, and exploration of the cosmic landscape. These double sided cyanotype paintings on silk habotai, currently spanning up to 33 feet in length, are un-stretched but secured with hand rolled edges, and suspended in zero gravity, for the viewer to float through and around, as an immersive experience. In the spirit of Jacob Lawerence’s “Migration Series,” which explores the motivations and sacrifices of 6 million African Americans during the Great Migration, this work is designed to be an interactive monument, that acknowledges the hardships of planetary relocation through focusing hope towards the beauty and potential of life after the long journey.
The story of our migration is ongoing. Feeling inspired? Share your #Panel61
In the final, 60th panel of The Migration Series, Jacob Lawrence leaves us with the words “And the migrants kept coming.” Today, more than 70 years later, Lawrence’s epic narrative continues to have powerful reverberations.
User-Submitted Work
- Submitted byJulie
PotterView - Submitted byMiah
Breyer View - Submitted by❤️Aurora❤️View
- Submitted byJuliette
MajeskeView - Submitted byKeyla
CastroView - Submitted byFrancesca
BorrielloView - Submitted byJack
rowleyView - Submitted byAndrea
KilpatrickView - Submitted byBreyell
PriceView - Submitted byCornell
McNealView - Submitted byJosh
AshView - Submitted byEiva
RicherView - Submitted byOmatola
OladejiView - Submitted bySophy
IngramView