Your #Panel61
The story of our migration is ongoing. Feeling inspired? Share your #Panel61
In the final, 60th panel of The Migration Series, Jacob Lawrence leaves us with the words “And the migrants kept coming.” Today, more than 70 years later, Lawrence’s epic narrative continues to have powerful reverberations.
User-Submitted Work
- Submitted byGamael
Jean-FrancoisView - Submitted byFrederick
BradfordView - Submitted byTyler
JonesView - Submitted byJared
T. RossView - Submitted byMcView
- Submitted byKevin
CallahanView - Submitted byTessa
MooreView - Submitted byElliot
KarstenView - Submitted byLauren
ClarkView - Submitted byMaria-Theresa
FernandesView - Submitted byMaria-Theresa
FernandesView - Submitted byShanaView
- Submitted byBrian
WhelanView - Submitted byMahnaz
WeldyView
Submit your work through Instagram or Twitter using the #Panel61 hashtag and join the conversation. What does #Panel61 look like to you?
Georges Seurat - Paysage avec cheval, c. 1882-83. Oil on panel, 6¼ x 9.7/8 in. (16 x 25.2 cm.). @ Christie's Images, London
sa panel 61 ng sr, sabi ni dh kay mk na kung sad sya, tingin lang sya sa pic nila sa locket while looking at the stars. na-… — TAMA NA PLZ retrospring.net/@4rkibo/a/1104…
Kenton Nelson (American, born 1954)
Untitled (Pasadena morning), 2018
Oil on panel, 61 x 61 cm
Kenton Nelson is a precisionist landscape and genre artist, best known for his stylised, figurative, large-format paintings and murals.- Join the #Panel61 Conversation
The Renaissance Experience
Eugenio Gómez
Pietro di Cristoforo Vannucci “il Perugino” (Italian; ca. 1448 - 1523)
Madonna col Bambino - Virgin and Child
ca. 1470
Oil on panel, 61 x 41 cm
Musée Jacquemart-André, Paris, France.